"Shut Up," co-written and produced by The Matrix crew (Avril Lavigne), beckons from the dancefloor with a salacious groove punctuated by horns, slap bass and elastic guitar. "What I like about 'Shut Up' is that it's fresh and different with the horns and the guitar," says Nick. "It's uptempo, but not in a trendy hip-hop sort of way. We infused everything we did with soul." "Carry On," co-written and produced by Guy Chambers (Robbie Williams), tingles the spine and swells the chest with shuffling beats, anthemic guitars and uplifting lyrics. "We were living through a horrible time when I wrote that, and we're still living through a horrible time," says Nick, who penned the song in late 2001. "I wanted to write a song that inspired people to leave it all behind and press on." And "On And On," written by Nick and produced by Trina Harmon and Stuart Brawley (Brandy, Michael Jackson), strips it all down to stately grand piano and Nick's soulful voice. The effect is timeless. "If there was a prevailing theme to the album, it was 'Don't overproduce it; make it more organic,'" he says. "I wanted to step away from the big ballad production that I'm known for." Though the album's gestation was relatively short, the diverse material reflects the accelerated pace of Nick's life, which included numerous ups and downs. The lyrics are universal enough that listeners can apply their own situations to the songs. But those craving specifics about the singer's life won't be disappointed, either. "Edge Of Eternity," a windswept, R&B-inflected ballad, was written as a wedding present for his new bride, pop chanteuse Jessica Simpson. "It was definitely written with her in mind," he says, beaming. "But I didn't have a chance to sing it on our wedding day [October 26, 2002]." Instead, Nick's bandmates?his brother Drew, Jeff Timmons and Justin Jeffre?serenaded her with "My Everything," a hit from 98?'s Revelation that Nick also wrote for Jessica. "Let Go," once again produced by The Matrix, delivers Nick's thumbnail autobiography thus far, humorously recalling his early aspirations. "When I was little, my mom used to say that I could grow up to be a doctor," he says with a laugh. "But she's always been supportive of my decision to pursue a singing career. But, yeah, like the song says, I remember moving to L.A. and how uncertain the situation was. I've definitely slept on enough floors." His success ensures he'll never have to do that again. But there are some things he'll always retain from those early years. "This album is definitely a transition for me," he admits. "But I can't see myself handling things any differently than I have thus far. I've always maintained an attitude of staying as humble as I possibly could."
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